Percy Aldridge GRAINGER (1882-1961)

The Australian Percy Aldridge Grainger was a musician of unusual breadth of vision, a composer of a broad spectrum of works from the highly experimental to the overtly popular, a musical innovator, a virtuoso pianist, a perceptive collector of folksongs (the first major collector in Britain to use recording techniques), an arranger of other people's music from Mediaeval times to the twentieth century and a pioneer in what he termed "free music".

 

With every activity he touched he wished to involve himself to his fullest capacity, be it in studying the technical side of making piano rolls so that he could edit his own recordings, or dressing up as a South Sea islander to learn more of their culture, or constructing his own machines on which he could realize the flights of his musical fancy direct, free from conventional restrictions on rhythm and pitch. Such are the many talents of this fascinating man that it has taken the energies of many writers to begin to build up a total picture of his musical achievements.

 

Conscious of the way his name seemed always to be linked with folksong, Grainger was often at pains to emphasize what he regarded as his more important work: his original compositions using entirely his own ideas. For us who wish to perform and hear his music, this is too narrow a limitation, for Grainger is not just a composer, he is the door to a vast musical world suffused with his own vital influence. His scholarly attitude, his love of all kinds of music and his refreshing desire to become involved in all things has left us a legacy of music which includes experimental pieces, original works, folk settings and a considerable number of transcriptions and free arrangements of other composers that he imbued with his own special brand of musical magic.

 

Grainger is an amalgamation of enormous talents, extreme ideals and complex contradictions. A composer who felt that his most important compositions were neglected and grew to hate his own most popular pieces, a pianist of rare brilliance who hated playing the piano, a racist who had many friends of many races, a man who was completely dominated by his mother until the age of forty, a musician who ignored his musical skills in order to build an autobiographical museum, a man who wanted to have his skeleton displayed in a casement for public display, a human being that left documents on his masochistic sexual preferences to be scientifically studied.

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